Page 106 - วารสารปีที่15ฉบับที่3
P. 106

372







                                                 Abstract
                Music Therapy in Palliative Care
                                  ,†
                Puchong Chimpiboon* , Pornpan Kaenampornpan ‡
                *Siriraj Palliative Care Center, Faculty of Medicine Siriraj Hospital, Mahidol University, Bangkok 10700, Thailand.
                †
                Faculty of Fine and Applied Arts, Khon Kaen University, Khon Kaen 40002, Thailand.
                ‡
                Corresponding author: Puchongmsmu@gmail.com
                    Music therapy is an alternative medicine that is beneficial to patients in palliative care holistically.
                Studies have shown that patients in palliative care who have received music therapy service have better
                quality of life than those who do not receive such a service. There is no significant difference in lengths of
                life in care. Moreover, music therapy is beneficial in the spiritual aspect. Furthermore, it can also decrease the
                levels of anxiety and increase family and caregiversû level of service satisfaction. The purpose of this article
                is to provide guidelines for medical doctors, nurses, and other professionals who work with palliative patients.
                This article consists of (1) definition of music therapy, (2) process of providing music therapy service, (3) the
                music intervention in palliative patients, (4) level of music therapy practice in palliative care, (5) measurement
                tools which are used in music therapy studies, and (6) effectiveness of music therapy in palliative patients.
                    Key words: music therapy, palliative care patient









                              ∫∑π”                       ¡“μ—Èß·μà ¡—¬‚∫√“≥ ‡π◊ËÕß®“°¥πμ√’ “¡“√∂‡¢â“∂÷ß

                 °“√¥Ÿ·≈ºŸâªÉ«¬√–¬– ÿ¥∑⓬ μâÕßÕ“»—¬ºŸâª√–°Õ∫  ∑ÿ°§π  “¡“√∂ ◊ËÕ “√§«“¡√Ÿâ ÷° §«“¡μâÕß°“√¢Õß
             «‘™“™’æÀ≈“¬«‘™“™’æ μ—Èß·μà·æ∑¬å·ºπªí®®ÿ∫—π  μπ‡Õߺà“π¥πμ√’ ¥πμ√’‡ªìπ‡ ¡◊Õπ ◊ËÕπ”æ“¡πÿ…¬å
             ·æ∑¬å∑“߇≈◊Õ° 欓∫“≈ π—°¥πμ√’∫”∫—¥ ‡ªìπμâπ  ¬âÕπ§‘¥ ¬âÕπ§«“¡√Ÿâ ÷°μπ‡Õ߇¡◊ËÕ‰¥â¬‘π∫∑‡æ≈ß∑’Ë

             √à«¡¡◊Õ°—π ‡π◊ËÕß®“°ºŸâªÉ«¬μâÕ߇º™‘≠°—∫Õ“°“√‡®Á∫  §ÿâπ‡§¬ ‚¥¬‡©æ“–„πºŸâªÉ«¬√–¬– ÿ¥∑⓬∑’Ë¡—°®–
             ªÉ«¬μà“ß Ê ®“°‚√§ ·≈–μâÕߪ√—∫„®«à“ μπ‡Õ߉¡à  μâÕ߇º™‘≠°—∫Õ“°“√‡®Á∫ªÉ«¬∑“ß°“¬ ·≈–§«“¡
              “¡“√∂À“¬‰¥â °≈“¬‡ªìπºŸâªÉ«¬∑’ËÕ¬Ÿà„π«“√– ÿ¥∑⓬  °—ß«≈„®Õ¬Ÿàμ≈Õ¥‡«≈“ ¥—ßπ—Èπ°“√‰¥âπ”®‘μ„®‰ª

             ¢Õß™’«‘μ  àߺ≈°√–∑∫μàÕ§√Õ∫§√—«·≈– —ß§¡      §‘¥∂÷ß§«“¡∑√ß®”¥’ Ê ®÷߇ªìπ ‘Ëß ”§—≠∑’˙૬„À⺟â
                 ¥πμ√’∫”∫—¥∂◊Õ‡ªìπ»“ μ√å°“√∫”∫—¥∑“߇≈◊Õ°  ªÉ«¬¡’ ÿ¢¿“«–∑’Ë¥’ Õ¬à“߉√°Áμ“¡ ¬—߉¡à¡’°“√∫√‘°“√
             „À¡à ”À√—∫ª√–‡∑»‰∑¬ ¡’ª√–‚¬™πå§√Õ∫§≈ÿ¡∑—Èß  ¥πμ√’∫”∫—¥Õ¬à“ß·æ√àÀ≈“¬„πª√–‡∑»‰∑¬ ¥—ßπ—Èπ

             ¥â“π√à“ß°“¬ ®‘μ„®  —ß§¡ ·≈–°“√ ◊ËÕ “√ πÕ°®“°  ∫∑§«“¡π’È®÷ß∑”°“√∑∫∑«π‡Õ° “√«‘™“°“√‡°’ˬ«°—∫
             π—Èπ ¬—ß “¡“√∂„™â‰¥â°—∫¡πÿ…¬å∑ÿ°‡æ» ∑ÿ°«—¬μ—Èß·μà  ª√– ‘∑∏‘º≈¢Õߥπμ√’∫”∫—¥°—∫°“√¥Ÿ·≈ºŸâªÉ«¬ ·≈–

             ‡¥Á°·√°‡°‘¥®π∂÷ß§π∑’ËÕ¬Ÿà„π«“√– ÿ¥∑⓬¢Õß™’«‘μ  ‡ πÕ·π–·π«∑“ß°“√„™â¥πμ√’∫”∫—¥„π°“√¥Ÿ·≈ºŸâ
             ¥πμ√’¡—°∂Ÿ°π”¡“„™â‡æ◊ËÕæ—≤π“ ÿ¢¿“«–¢Õß¡πÿ…¬å  ªÉ«¬√–¬– ÿ¥∑⓬
   101   102   103   104   105   106   107   108   109   110   111