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                                                                                               [2]
              this it can never attain its final end, which  that has no parallel in the modern Westé .
              extends beyond the domain of individual     The relationship between master and pupil
                          [4]
              possibilitiesé . The ùnon-humanû is what    is very important, not only by the fact that
              Guénon calls as ùspiritual influenceû, an influ-  the teacher instructs students to the tradi-

              ence of a ùsupra-human orderû, that comes   tional knowledge, but also because the
              from a vertical sphere. Being ùbeyond physicsû,  teacher, as the initiator, links the student to
              spiritual influences are, by the very fact, from  the chain, where spiritual influences are re-

              above traveling downward. Such spiritual    ceived in order to assist the individual to-
              influence works as a kind of ùcommunicationû,  wards realization of knowledge.

              but çcommunication with the superior states     Turning the analysis to the ùpracticeû,
              cannot be regarded as an end but only as a  which is the second aspect that constitutes
                               [4]
              point of departureé . Therefore, such spiri-  tradition as understood by Sherrard on
              tual influence shall not be interpreted as  Guénon, the ùpracticeûdevelops the pure in-
              ùclairvoyanceû nor as ùpsychic-powersû. In this  tellect on the traditional man. Practice is manûs

              sense, spiritual influence serves only as a  art in its all form, or in another words, what
              support towards the end, which is the real-  the moderns often call as ùart of ancient
              ization of traditional wisdom.              peopleû, such as traditional medicine, astrol-

                   The transmission of a traditional teach-  ogy, music and martial art. Integrated to manûs
              ing, asserted by Guénon, stands for the rela-  art, there are performances of rites and the
              tionship between teacher and student, where  use of symbols, which plays a fundamental

              the transmission of knowledge must be ac-   importance on his arts. çIn addition of theo-
              complished orally, because oral transmission  retical preparation and subsequent to it, [...]
              is considered unlimited - there is no limita-  playing the part of ùaidsû only, however im-

              tion in time or space. Whereas books or scrip-  portant they may be in actual practice, is
              tures are considered limited - çtraditional text  indeed the reason for the existence of rites

              is no more than a recording, at a relatively  possessing a genuinely metaphysical
                                                                   [2]
              recent date, of a teaching that was originally  characteré . Guénon explains that a rite is
              transmitted by word of mouth and to which   made of a group of symbols, çevery rite is
                                            [2]
              an author can rarely be assignedé . In tradi-  literally made up of a group of symbols which
              tional teaching, Guénon explains that there  include not only objects used or the figures

              is a çdeep and indissoluble bond which unites  represented, [...] but also the gestures effected
                                                                                  [4]
              the disciple to his master, [...] a relationship  and the words pronouncedé . The words pro-
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